Artificial Hells: Participatory Art and the Politics of Spectatorship
Claire Bishop investigates participatory art's political claims and its shifting relationship to spectatorship and democracy.
About This Book
Artificial Hells explores the rise of participatory art practices and their implications for audiences and society.
The book analyzes how artists engage spectators and questions the political effectiveness of such approaches.
It situates these developments within broader debates on democracy, aesthetics, and cultural production.
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